I came across this video by the National Geographic, which explains the Lost Wax technique of creating ancient bronze sculpture. I found it riveting, and indeed it’s the first time the process was explained in a way that made sense to me.
Greek Tragedies were as much musical as theatrical performances. Much of the text uttered by the Chorus, and some by individual characters as well, was sung. The ancient tragedians were as much composers as writers, creating both the texts and the musical settings. Indeed, in Aristophanes’ Frogs, when the ghosts of Aeschylus and Euripides fight over who is the greater playwright, they spent quite a lot of time criticizing and mocking the other’s music.
It’s incredibly frustrating, then, that almost nothing of the original music from any Greek tragedy survives. The music would have added an entire dimension that we have no access to – we have, in effect, Opera librettos without any scores. Continue reading “The Music of Tragedy”
Two articles recently published on the BBC website recently caught my eye. The first was a discussion of the earliest known writing on Earth, as part of a series on ‘50 things that made the modern economy’. These earliest written texts were economic texts: inventories of goods, sale contracts, IOUs, written in Sumerian Cuneiform more than 5000 years ago. Continue reading “Words that Last: Clay, Papyrus, and Computers”
I recently finished reading a book on an aspect of the Classical world that neither I, nor many other Classicists likely have thought much about. The book is Anthony Kaldellis’ The Byzantine Republic, which deals with the Eastern Roman Empire (called by modern scholars “Byzantine”) which ruled a fluctuating area centred on Anatolia and the Balkans from the fall of Rome to the Goths in 476 CE until the final capture of Constantinople by the Turks in 1453 CE. Kaldellis’ work represents an intriguing attempt to reconnect the Byzantines to their Roman heritage, something which he argues has all-too-often been ignored and/or denied by scholars.
My friend and colleague Philip Boyes writes about the strange evolution of an ancient Near Eastern deity. Well worth checking out!
(or, What This Ugaritian Storm-God Looks Like Now Will Astound You!)
Ba’al on a stele from Ugarit, now in the Louvre
Reconstruction of the Temple of Ba’al on the acropolis of Ugarit. From Callot 2011
- Ever since excavations began at the Syrian city of Ugarit in 1929, the importance of the god Baʿal has been clear. Among the first Ugaritic texts discovered at the site were mythological tablets recounting the legends of this god; Baʿal’s temple was excavated in prime position on the city’s acropolis, close to that of his father Dagan. While the supreme god El occupied the pinnacle of the Ugaritian pantheon, as more and more ritual and religious documents have been recovered from Ugarit, it’s become unquestionable that the city’s people felt a particular fondness and affinity for Baʿal, the archetypal king who had his palace on Mount Saphon overlooking the city.
But Baʿal was not solely…
View original post 1,660 more words
Content warning: Cults, Sexual Abuse, Snakes
One of the strangest stories from the ancient world comes from the pen of the Second Century CE writer Lucian of Samosata. Lucian, a Greek-speaking Syrian, was part of the great flowering of Greek culture under the Roman Empire that we refer to as the Second Sophistic. To generalize greatly, the Second Sophistic was characterised by great erudition, self-consciously elaborate language, and a playful attitude toward history, myth and literature. Lucian is one of the most emblematic of this movement, and many of his works are wonderful examples of wit, learning and subtle self-parody. Continue reading “Sock Puppets and Cult Leaders: The False Prophet Alexander”
In honour of International Women’s Day, Pippa Steele of Cambridge’s CREWS project (Contexts and Relationships between Early Writing Systems) has blogged about two women who had a massive influence on the study of Ancient Greek writing systems.
I’ve been working on a handout that gives some broad principles and tips for essay writing, and I thought I’d share it here. While some of it applies specifically to Cambridge, quite a lot I think applies to good essay-writing anywhere. Thoughts are most welcome! I’m also posting a PDF version on my Teaching page. Continue reading “Essay Advice”
In popular discussions of the attempted Persian invasions of 490 amd 480 BCE, one theme that is often heard is that they were a turning point of Western Civilization. The wars are presented as a battle between the nascent Athenian democracy, a city that would go on to produce the art, drama, philosophy, and political ideals on which the glorious of the West are founded, and the autocratic Persian Empire, ruled by Great Kings who wielded absolute authority over nations of abject slaves. Had the Persians won, the notion runs, the Persians would surely have crushed a form of government that they saw as anathema to their vision of a well-ordered empire bowing to a single Great King (as a random example of this narrative, see http://www.historynet.com/greco-persian-wars-xerxes-invasion.htm). Continue reading “The End of Western Civilization? What if Persia Won”